Graphic Designing
Our graphic designing creates consistent brand visuals, from logo design and brand design to social media and marketing assets, helping customers recognise your business.
Creative Workspace
Layers
Properties
Colour
Library
Illustrative workspace view. The brand shown is a sample project used to demonstrate how an identity system is built and organised.
What We Design
Built in vector so the mark stays sharp on a business card and a hoarding alike. You receive primary, stacked and icon versions for every placement you will actually need.
Typography hierarchy, colour palette, grid, imagery style and iconography defined together. Brand Design is what stops each new asset from becoming a fresh negotiation.
Brochures, flyers, business cards, proposals, banners and pitch decks laid out for readability first. Print files go out CMYK with bleed, ready for the press without corrections.
Post, story and ad templates built on a reusable system, so your team can publish daily without the feed drifting away from the brand within a month.
Dielines, labels and cartons designed to survive a crowded shelf. Legibility at arm's length matters more than detail nobody sees until the product is home.
A short, usable document covering logo spacing, colour codes, fonts and what not to do. It keeps future vendors, printers and staff producing work that still looks like you.
How We Work
We start with who buys from you, who you compete against and what you want to be known for. Without that, feedback becomes personal taste rather than judgement.
Week 1Two or three visual directions are presented with reasoning — tone, colour psychology and the impression each one creates. You choose a route before we build anything.
Week 1–2Concepts are drawn in vector, tested small, tested in one colour, and checked against competitors. A mark that only works large is a mark that will cause problems later.
Week 2–3The chosen direction extends into type scale, palette, layouts, icons and the first set of real assets. This is where an identity becomes usable rather than theoretical.
Week 3–5You receive editable source files, every export format, print-ready artwork and a guidelines document. Everything is organised so the next designer can pick it up without calling us.
Week 5–6Why ScaleQuix
Files are named, layered and organised for the people who inherit them — your team, your printer and whoever designs your next campaign.
Our designers sit beside the team running ads and websites, so creative is made knowing where it will appear and what it has to achieve.
No template marketplaces, no recycled marks. Every identity is drawn for the business it belongs to and checked against direct competitors.
Source files, fonts licensing guidance and export formats are handed over on completion. Nothing stays locked inside our accounts.
Graphic Designing here is led by designers who have produced work for print production as well as paid campaigns, so a mark is judged on how it behaves at 16 pixels and on a shopfront — not only on how it looks in the presentation.
Common Questions
Visual communication for a business — logos, identity systems, typography, colour palettes, marketing collateral, packaging and digital creatives. Good design solves a communication problem first and decorates second, which is what separates it from artwork.
Because customers judge credibility within seconds, usually before reading a single word. Consistent visuals raise perceived value, make your marketing recognisable and reduce the effort needed to win that first conversation.
A logo is a single asset; brand design is the whole system around it — colour, typography, layout rules, imagery and tone. The logo identifies you, the system makes you recognisable everywhere.
Standalone logo projects commonly range from ₹8,000 to ₹40,000, while complete identity systems with collateral and guidelines run higher. Ongoing creative work usually costs less through a monthly retainer than per piece.
A logo alone takes roughly two weeks. A complete identity with guidelines and collateral usually needs five to six, because discovery, exploration and review rounds each need genuine thinking time between them.
Editable source files, vector AI and SVG, transparent PNG, print-ready PDF in CMYK, plus a guidelines document. You own all of it, including the layered originals needed for future edits.
Illustrator for vector and logo work, Photoshop for image-based design, InDesign for multi-page print and Figma for digital systems. Logos are always drawn in vector rather than raster, so they never pixelate.
Ask them to explain why a past logo looks the way it does — reasoning reveals more than a portfolio. Then confirm revision rounds, file ownership and whether guidelines are included.
Whether you’re growing a business or building a career, we’re here to help.
